Introduction

This blog is a user's perspective on the Micro Four Thirds camera system. Read more ...

Lens Buyer's Guide. Panasonic GH4 review.

My lens reviews: Olympus 9mm f/8 fisheye, Lumix G 12-32mm f/3.5-5.6, Leica 25mm f/1.4, Lumix X 12-35mm f/2.8, Lumix X 35-100mm f/2.8, Sigma 30mm f/2.8, Sigma 19mm f/2.8, Lumix X PZ 14-42mm f/3.5-5.6, Lumix X PZ 45-175mm f/4-5.6, Olympus M.Zuiko 45mm f/1.8, Panasonic Lumix G 100-300mm f/4-5.6, Panasonic Leica Lumix DG Macro-Elmarit 45mm f/2.8 1:1 Macro, Panasonic Lumix G 45-200mm f/4-5.6, Panasonic Lumix G 20mm f/1.7 pancake, Panasonic Lumix G 14mm f/2.5 pancake, Panasonic Lumix G HD 14-140mm f/4-5.8, Panasonic Lumix G HD 14-140mm f/3.5-5.6, Panasonic Lumix G 8mm f/3.5 fisheye, Lumix G 7-14mm f/4, Samyang 7.5mm f/3.5 fisheye, Tokina 300mm f/6.3 mirror reflex tele, Lensbaby 5.8mm f/3.5 circular fisheye lens
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Showing posts with label test. Show all posts
Showing posts with label test. Show all posts

Wednesday, 2 August 2017

Better focus with Lumix G 100-300mm Mk II

The original Lumix G 100-300mm f/4-5.6 was an affordable and basic long tele zoom lens, from the early days of Micro Four Thirds. It was generally considered a good value lens, albeit not optimally sharp in the long end, and with newer cameras, the continuous drive mode became slower in AF-C, due to a slow aperture mechanism.

Unexpectedly, since there is already the high end long tele zoom lens Leica 100-400mm, the 100-300mm lens has been upgraded to a Lumix G 100-300mm Mk II. The optical design, and, indeed, the lens body, is exactly the same, however, it gets a newer focus motor, aperture mechanism, and compatibility with newer IBIS (In Body Image Stabilization).

The lens is longer than most consumer tele zoom lenses, reaching a whopping 600mm (35mm equivalent) in the long end. For example, the Nikon Z 50-250mm f/4.5-6.3 reaches 375mm in 35mm equivalents.


Lumix G 100-300mm Mk I (left) and Lumix G 100-300mm Mk II (right)

Also, it gains weather protection, with one consequence being the rubber gasket around the bayonet mount, seen to the right below:


Lumix G 100-300mm Mk I (left) and Lumix G 100-300mm Mk II (right)

I have put the lenses to the test, to see if there is any real reason to get the newer one.

Focus speed


First, the focus speed. This is a static test, with both lenses on the same camera (Lumix GX7), to see which focuses faster (Lumix G 100-300mm Mk II on the right hand side):


I triggered both cameras simultaneously using a Pixel RW-211 remote control. The video below shows the outcome of the test. First, I test them at 100mm f/4.5:




The focus delay is 0.57s for the Mk I version, and 0.55s using the Mk II version. This difference is barely worth noting, I would say they are equally fast in this test. It was done in somewhat dim indoor lightning.

In the second test at 100mm and 300mm, I test both lenses on a more modern Lumix GH5 camera:




At 100mm, the newer lens is clearly faster, with a focus delay of 0.20s (Mk II) vs 0.25s (Mk I).

At 300mm, though, I repeated the test twice with different lightning, and consistently got about about 30% slower focus with the Mk II version of the lens. This was an unexpected result. I could guess that the newer lens still has a less mature firmware, and that future firmware tweaks may improve this.

Real life use, birds in flight


One typical and challenging way to use a long tele lens, is to photograph birds in flight. This is demanding for the camera and lens, as you will typically leave the focus mode in AF-C, and trust that it gets you the bird in focus when you press the shutter fully to take the pictures.

I had the continuous drive mode enabled with the Lumix GH5 camera, and took the series of pictures under the same conditions.

I used 300mm, f/5.6, 1/640s. Note that when photographing birds in flight, you would normally use a somewhat faster shutter speed, typically around 1/1000s or more. Click for larger images:

Mk I version
(focus is generally not good)
Mk II version
(barring some motion blur, most are well in focus)

The first thing to note is that I get a faster framerate with the newer lens. This is due to the faster focus and aperture mechanisms. With the older lens, I'd say that the framerate drops to about half.

This is visible in the pictures above, in the sense that I get a longer stream of pictures to choose from with the newer lens. While this is certainly good, please note that the new lens still slows down the camera, meaning that the aperture mechanism of the newer lens is faster, but still not instantaneous.

As for the focus, the bird is much more consistently and accurately sharp with the newer lens. So with the same camera, and the same continuous focus mode, using the newer lens appears to nail the focus better. Again, this means a higher keeper rate.

Even if I was able to photograph birds in flight (BIF) using this combo, I'd say this is still a lot easier to achieve using a traditional DSLR system, at the same price point. So while the Lumix GH5 has taken continuous autofocus to a new level, it is still not nearly as good as a similarly priced DSLR camera, e.g., the Nikon D500.

Here are two more series:

Mk I version (1/4 in focus)
Mk II version (3/4 in focus)

Image quality


About the image quality, I have taken the same pictures using the Lumix GH5 camera at 300mm, f/5.6 and f/7.1. The full picture looks like this:


Here are 100% crops from the centre:


And 100% crops from a corner area:


I think this shows a somewhat better optical performance with Lumix G 100-300mm Mk II.

I only tested the lens at maximum extension, 300mm, since this tends to be the most challenging position for the lens, and it is also the way many will use it: At least I tend to use the lens almost exclusively at 300mm.

Conclusion


The Lumix G 100-300mm f/4-5.6 II is a nice upgrade from the first version. It adds weather protection, and the zoom ring is stiffer, meaning less zoom creep.

When using continuous autofocus on a Lumix GH5, the newer lens gives you a higher framerate, and, in my experience, better focus performance. Both are quite important for sports, birds and wildlife, which I think are key uses for a lens like this.

So, should you upgrade from your Mk I lens? If you are serious about long tele lenses, perhaps you'd rather look into the premium Leica 100-400mm.

On the other hand, the Lumix G 100-300mm f/4-5.6 II does give a real performance improvement compared with the original, and it is still smaller and lighter than the Leica 100-400mm.

While I personally wouldn't trust the weather proofing enough to take the lens outside in rain, the lens is good to bring along while travelling, as it is more likely to survive the dust, sand, and moisture issues you might encounter.





Friday, 22 July 2016

Røde VideoMicro Review

The very first M4/3 camera, the Lumix G1 in 2008, did not have video capability. That was a strange omission, since the camera obviously had live view feed for the viewfinder, which could have been recorded to video.

However, all subsequent M4/3 cameras have been video capable, and video has been a very important feature in this market segment. And with video, the sound recording is also important.

The M4/3 cameras have onboard microphones, which are usually seen as a pair of small holes in the body, with the text "L" and "R" (left/right), "mic", or something similar. The problem with these in-camera microphones is that they are not directional, i.e., they pick up sound from all around the camera. That can be a problem in some cases.

One product which aims to provide better audio quality for system camera users is the Røde VideoMicro:


It comes with a small shotgun style directional microphone unit, a connector cable (3.5mm jack). There is also a shock absorbing mount for placing the microphone in the camera's flash shoe, as well as a furry wind shield:


When connected to the Lumix GH4, you'll see that the microphone is rather small:


The microphone itself has a body which is made from a ceramics coated metal material, which does seem very solid and well made. It has a high quality feel to it. The microphone unit is 80mm long (3.5 inches).

Generally, you'll need the wind shield when using the camera outdoors. Otherwise, wind noise will be a huge problem. Note that wind can still be a problem even when you do use the wind shield, if there is strong enough wind.

Many M4/3 cameras do have a microphone input socket which can be used. But not smaller cameras like the Lumix GM1/GM5, and not the Lumix GF7. Also, the Lumix GX7 did not have a microphone input socket.

You can also use the microphone on many Olympus cameras. A problem with a camera like the Olympus OM-D E-M5 II, though, is that a microphone jack will limit the articulation of the LCD display. As using an articulated LCD display is very useful for video recording, this is a strange and unfortunate design choice. Panasonic Lumix cameras are generally better designed for video use.

Sound comparison


I have compared the video quality of the in-camera microphones on the Lumix GX7 with the Røde VideoMicro mounted on a Lumix GH4 in the video below.



For simplicity, here are direct links to where specific sections of the video start:



When using the Røde VideoMicro, the background noise becomes less of a problem, but is not completely removed. But this is as expected, since this was not a studio test, but rather busy city scenes.

I think the sound from the camera microphone is more "boxy": With the external microphone, you better hear the sound you want to pick up, and not so much the background noise.

Alternative products


The Røde VideoMicro is a small and relatively inexpensive microphone. What do you get if you buy a larger and more expensive microphone? Here is a quick comparison:

Røde VideoMicroRøde VideoMic Pro
Length80mm150mm
Weight43g85g
Battery requiredNoYes
StereoNo (mono)Yes

So a more "serious" microphone will require a battery inside the unit, while the Røde VideoMicro gets the little power it needs from the camera.

Also, note that the VideoMicro is a mono microphone: It will output a stereo signal, but with the same sound in the left and right channel. A more serious microphone of course gives a real stereo output.

On the positive side, the VideoMicro is small and easy to use for "run and gun" video style, and it does not scream "professional videographer", which can be useful.

Conclusion


The Røde VideoMicro is very quick and easy to use. It does improve upon the sound recording, especially when you have ambient noise that you want to avoid.

Sunday, 17 May 2015

Lumix 14-140mm OIS jitter?

I really like the Lumix G 14-140mm f/3.5-5.6 superzoom lens (click for my review). Compared with the older version of the lens, I find that it is better in every way: Smaller, lighter, cheaper, better image quality. So what is not to like?

There are some who say that the new version of the lens causes "micro jitters" when recording video handheld, which makes it impossible for use with video. As the lens is advertized for video use especially, this sounds like a very bad thing.

To test if there is merit to the claim, I have tried to put both lenses (the new and old version) on the same camera, Lumix GX7, and recorded video at 1080p, 50FPS. To avoid motion blur, which might hide the micro jitters, I set a fast shutter speed at 1/200s.


Both cameras were connected to a Desmond mini stereo bracket. The new version of the lens to the left.