Panasonic makes an impressive number of tele zoom lenses. This is not a stupid choice, after all, the interchangeable system camera market relies on the consumer actually buying the extra lenses. So there needs to be some lenses to choose from. And a tele zoom lens is a popular aftermarket choice, probably the most popular together with a fast prime lens.
In this article, I will be comparing six of them:
Introduction
This blog is a user's perspective on the Micro Four Thirds camera system. Read more ...
Lens Buyer's Guide. Panasonic GH4 review.
My lens reviews: Olympus 9mm f/8 fisheye, Lumix G 12-32mm f/3.5-5.6, Leica 25mm f/1.4, Lumix X 12-35mm f/2.8, Lumix X 35-100mm f/2.8, Sigma 30mm f/2.8, Sigma 19mm f/2.8, Lumix X PZ 14-42mm f/3.5-5.6, Lumix X PZ 45-175mm f/4-5.6, Olympus M.Zuiko 45mm f/1.8, Panasonic Lumix G 100-300mm f/4-5.6, Panasonic Leica Lumix DG Macro-Elmarit 45mm f/2.8 1:1 Macro, Panasonic Lumix G 45-200mm f/4-5.6, Panasonic Lumix G 20mm f/1.7 pancake, Panasonic Lumix G 14mm f/2.5 pancake, Panasonic Lumix G HD 14-140mm f/4-5.8, Panasonic Lumix G HD 14-140mm f/3.5-5.6, Panasonic Lumix G 8mm f/3.5 fisheye, Lumix G 7-14mm f/4, Samyang 7.5mm f/3.5 fisheye, Tokina 300mm f/6.3 mirror reflex tele, Lensbaby 5.8mm f/3.5 circular fisheye lens
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Lens Buyer's Guide. Panasonic GH4 review.
My lens reviews: Olympus 9mm f/8 fisheye, Lumix G 12-32mm f/3.5-5.6, Leica 25mm f/1.4, Lumix X 12-35mm f/2.8, Lumix X 35-100mm f/2.8, Sigma 30mm f/2.8, Sigma 19mm f/2.8, Lumix X PZ 14-42mm f/3.5-5.6, Lumix X PZ 45-175mm f/4-5.6, Olympus M.Zuiko 45mm f/1.8, Panasonic Lumix G 100-300mm f/4-5.6, Panasonic Leica Lumix DG Macro-Elmarit 45mm f/2.8 1:1 Macro, Panasonic Lumix G 45-200mm f/4-5.6, Panasonic Lumix G 20mm f/1.7 pancake, Panasonic Lumix G 14mm f/2.5 pancake, Panasonic Lumix G HD 14-140mm f/4-5.8, Panasonic Lumix G HD 14-140mm f/3.5-5.6, Panasonic Lumix G 8mm f/3.5 fisheye, Lumix G 7-14mm f/4, Samyang 7.5mm f/3.5 fisheye, Tokina 300mm f/6.3 mirror reflex tele, Lensbaby 5.8mm f/3.5 circular fisheye lens
The blog contains affiliate links. As an Amazon Associate I earn from qualifying purchases.
Showing posts with label HFS100300. Show all posts
Showing posts with label HFS100300. Show all posts
Saturday, 31 October 2015
Sunday, 30 September 2012
Air show video using the Lumix 100-300
During the September 1st Royal Norwegian Air Force 100 year anniversary, I tried to video record some of the air plane flybys. This was the very first time I had tried to video record air plane, and I brought the longest lens I have, the Lumix G 100-300mm f/4-5.6 with the Panasonic GH2 camera.
I did not bring any tripod or extra microphone, as I would be standing in a crowd of people, and needed to be fairly agile.
Most of the time, I used the lens in the longest setting, at 300mm, and stopped down the aperture a bit to f/6.3. I could do this at ISO160, the base ISO, and still have a healthy shutter speed of about 1/500s, even when dialing in about +1/3 to 2/3 of exposure compensation. I needed the exposure compensation, as I was mostly shooting into the sun, or close to the sun.
Here I have edited the footage into a video stream of about three minutes with some of the footage:
I used Kdenlive to edit the stream, and I added a bit of post process image stabilization to the video. This was needed, even though I used the OIS feature of the lens. Perhaps I would have been able to go without the extra image stabilization had I used a tripod.
Some things to note about the video:
I did not bring any tripod or extra microphone, as I would be standing in a crowd of people, and needed to be fairly agile.
Most of the time, I used the lens in the longest setting, at 300mm, and stopped down the aperture a bit to f/6.3. I could do this at ISO160, the base ISO, and still have a healthy shutter speed of about 1/500s, even when dialing in about +1/3 to 2/3 of exposure compensation. I needed the exposure compensation, as I was mostly shooting into the sun, or close to the sun.
Here I have edited the footage into a video stream of about three minutes with some of the footage:
I used Kdenlive to edit the stream, and I added a bit of post process image stabilization to the video. This was needed, even though I used the OIS feature of the lens. Perhaps I would have been able to go without the extra image stabilization had I used a tripod.
Some things to note about the video:
- There is quite clearly still some vignetting, even though I did stop down an extra 1/3 of an aperture stop.
- You can see the lens OIS working, as the brightest central disc area moves about in the frame.
- The focus is mostly ok. Some times, the camera loses focus for a short period, but it is not a big problem. I had the AF-S mode selected.
- The sound is not very good. An external microphone would probably have improved it.
- You can see the evidence of rolling shutter distortion. Here is a frame from a video, where the helicopter blade is bent due to the rolling video shutter:
When using the mechanical shutter for still images, though, there is virtually no rolling shutter effect:
This is because the mechanical shutter travels faster than the electronic line by line readout of the sensor is.
Sunday, 10 January 2010
Micro Four Thirds lens lineup
Here is a summary of the lenses currently available, the known upcoming lenses, and some thoughts about future lens needs.
See also my Lens Buyers' Guide for Micro Four Thirds.
See also my Lens Buyers' Guide for Micro Four Thirds.
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